Groovy Crochet: A Yarn Journey Through the 1960s


A Blast from the Past: Setting the Scene for 1960s Crochet

Ah, the 1960s—a decade of change, charm, and creativity. As the world twirled to the tunes of the Beatles and basked in the glow of the moon landing, crochet was quietly weaving its own tale. The craft, like a well-loved vinyl record, spun its way into the hearts of many, becoming a symbol of the era’s vibrant and free-spirited nature.

Crocheting in the 1960s was not just about making doilies for your grandmother’s coffee table. It was about expression and experimentation. From the earthy tones of boho-chic to the psychedelic hues of the flower power movement, crochet was a canvas for creativity. It was the era when crochet exploded into the fashion scene, with bold and daring designs adorning everything from hats to home decor.

In this nostalgic journey, we’ll explore how crochet in the 1960s was more than just a craft—it was a cultural statement. So, grab your hooks and let’s unravel the grooviest decade of crochet history!

The Rise of Crochet Fashion: When Yarn Met Avant-Garde

The 1960s were all about breaking the mold, and crochet was no exception. As haute couture met handmade, crochet became a darling of the fashion world. Designers like Yves Saint Laurent and Mary Quant embraced the flexibility of crochet to create innovative and boundary-pushing designs that were the talk of the town.

Who could forget the iconic crochet mini dresses that became a staple of swinging London? These daring designs, often paired with knee-high boots, were the epitome of mod fashion. Crochet was no longer just for cozy blankets; it was the fabric of choice for trendsetters and fashionistas.

But it wasn’t just the high-fashion elite who were hooked on crochet. The do-it-yourself spirit of the era meant that anyone with a ball of yarn and a hook could create their own pieces of wearable art. Crochet patterns proliferated, offering home crafters the chance to replicate runway styles. Crochet fashion became a statement of individuality, creativity, and rebellion against the status quo.

Yarns of the 60s: A Colorful Palette of Possibilities

If the 1960s were a color, it would be an explosion of tie-dye brilliance, and crochet was no different. The decade’s penchant for bold, bright colors translated into yarn choices that were anything but subtle. From electric blues to sunshine yellows, the yarns of the 60s reflected the era’s love for all things vibrant and vivid.

Synthetic yarns made their grand entrance during this time, providing crafters with a cheaper and more versatile alternative to traditional wool. This innovation opened up a world of possibilities, as new textures and finishes could be explored. Crocheters experimented with mixing yarns, creating pieces that were as textured as they were colorful.

Whether it was a rainbow-striped poncho or a granny square afghan, the 60s were a time for color experimentation. Crochet became a medium for expressing the joy and optimism of the era, one stitch at a time.

Granny Square Revival: A Square for Every Occasion

The humble granny square, a staple of 1960s crochet, deserves a section all its own. This simple yet versatile pattern became a symbol of the era’s crochet renaissance. Granny squares were everywhere, from afghans and vests to bags and even swimsuits!

The beauty of the granny square lies in its simplicity and adaptability. With just a few basic stitches, anyone could create a masterpiece. The pattern’s modular nature made it perfect for projects of any size, and its geometric design lent itself to endless color combinations.

In the 60s, granny squares were more than just a pattern—they were a movement. They encapsulated the DIY ethos of the time, allowing crafters to express themselves through color and design. The granny square was, and still is, a testament to the timeless appeal of crochet.

Beyond the Hook: Crochet as Art

While fashion was a major focus, the 1960s also saw crochet emerging as a form of art. Artists began to explore the boundaries of the medium, using crochet to create sculptures and installations that challenged traditional notions of art.

One notable figure in this movement was artist Sheila Hicks, who used crochet and other textile techniques to create intricate and colorful installations. Her work demonstrated the potential of crochet to transcend its utilitarian roots and become a medium for artistic expression.

This era marked the beginning of crochet’s journey into the art world, a path that continues to evolve today. The 1960s showed that crochet was not just a craft but a versatile and powerful tool for creativity and innovation.

The Influence of Pop Culture: Crochet in Film and Music

The 1960s were a time when pop culture and crochet collided in the most delightful ways. Crochet found its way into movies, music, and television, becoming a symbol of the era’s eclectic style.

Who can forget the crochet-clad characters in classic films like “Easy Rider” and “Woodstock”? These iconic movies showcased crochet as a part of the counterculture lifestyle, associating it with freedom, peace, and love. Crochet vests, hats, and bags became synonymous with the hippie movement, capturing the spirit of rebellion and nonconformity.

In music, crochet made appearances on album covers and stage costumes. Bands like The Mamas & the Papas sported crochet pieces, further cementing its place in the cultural zeitgeist. Crochet was cool, and everyone wanted a piece of the action.

Crochet Communities: Crafting Together in the 60s

The 1960s were a time of connection and community, and crochet was no exception. Crochet circles and groups flourished, providing a space for enthusiasts to share patterns, techniques, and stories. These gatherings were more than just about crafting; they were about camaraderie and creativity.

Crochet communities were a haven for those seeking like-minded individuals with a passion for yarn. It was a place where you could learn a new stitch, share your latest project, or simply enjoy the company of fellow crafters. These groups often met in living rooms, community centers, and even cafes, turning crochet into a social event.

The sense of community fostered by these gatherings contributed to the enduring popularity of crochet. It was about more than just making something; it was about making connections.

Legacy of the 60s: Crochet’s Enduring Impact

The 1960s left an indelible mark on the world of crochet. The decade’s bold designs, vibrant colors, and innovative techniques continue to inspire crafters today. The spirit of experimentation and individuality that defined 60s crochet is alive and well in modern crafting.

Many of the patterns and styles that originated in the 60s have stood the test of time, becoming classics in their own right. The granny square, for example, remains a beloved pattern for crocheters of all ages, a testament to its timeless appeal.

The 1960s taught us that crochet can be whatever we want it to be—fashion, art, expression, or community. It showed us that with a little creativity and a lot of yarn, anything is possible.

Modern Takes on 60s Crochet: Reviving Retro with a Twist

Today, the influence of 1960s crochet can be seen in the resurgence of retro styles and patterns. Designers and crafters are revisiting the era’s iconic looks, adding modern twists to create pieces that are both nostalgic and contemporary.

From runway collections to home decor, the 60s are making a comeback in the world of crochet. Bold colors, geometric patterns, and innovative designs are being reimagined for the 21st century, proving that what was old is new again.

For those looking to infuse their projects with a bit of 60s flair, there are countless resources available. Vintage patterns, modern reinterpretations, and online tutorials make it easy to bring a touch of retro charm to your crochet creations.

Conclusion: Embracing the Groovy Spirit of 1960s Crochet

As we conclude our journey through the 1960s crochet scene, we are reminded of the era’s lasting impact on the craft. The decade was a whirlwind of creativity, color, and community, and its influence continues to inspire crafters today.

Whether you’re a seasoned crocheter or a curious beginner, the 1960s offer a treasure trove of inspiration and innovation. So, dust off your hooks, pick up some groovy yarn, and let the spirit of the 60s guide your next project. After all, in the world of crochet, the possibilities are as limitless as your imagination!

With this exploration of 1960s crochet, we hope you find inspiration to create, connect, and celebrate the joy of making. Happy crocheting, and may your projects be as colorful and creative as the decade that inspired them!

North America

An American Tale….the Granny Square

The granny square first made its debut in 1891, in The Art of Crocheting as an engraving. It wasn’t until 1897, however, that a written pattern was published in Weldon’s Practical Needlework. That pattern is one of the few things that has translated pretty much fully to today in crochet. As we’ve learned from past articles most everything else would be unrecognizable to us to a certain point (like 1920). The only difference is that the granny clusters on the first one only contained two double crochet as opposed to three. Other than that it is the same as the granny square we are familiar with today.


The Woman’s Day Book of Granny Squares (Fawcett, 1975), features a collection of granny-based designs, notes that grannies have been around for “as long as anyone can remember… Making colorful afghans by joining small squares,” the book’s introduction says that this “is one of the most traditional and American forms of crochet.” So strongly was this style of crochet identified with the United States that in Europe, it was called American crochet.


It’s an easy project, requiring zero eye sight and you can use all the scrapes of yarn you have from all your left over projects to make whatever stitches you feel like and create something amazing. Using scraps, regardless of color allowed crocheters of old to use yarn they otherwise couldn’t have used. The practice also inevitably led to the almost gaudy bursts of unlikely color pairings, usually bordered by black. Perhaps then this is where those gaudy Christmas sweaters came from (though Mrs. Weasley’s always made me want one). Yarn in 1891 was much more precious and scarce than yarn today. They couldn’t just pop on down to their local store or even go online. Even if they could have, they were unlikely to have the money. Those grannies and granny squares were the ultimate yarn stash busters.


The project isn’t just popular with long time crocheters but these squares are so easy they are one of the most common projects for new yarnists so even a beginner can quickly experience the rush of a finished object. The most basic square is typically only four or six inches, worked in just a few rounds. And we were all a beginner once who took on a project that was larger then we thought and perhaps we came to view it as a little larger then life and so we stopped working on it countless times because it was never going to get done….as my sister who made a purse and then couldn’t bear to finish it because it was taking for ever so she weaved twisty ties together and knotted them through the bottom and created a beach bag….hey, the bottom is water proof.


Granny squares saw a resurgence in the 1970’s and 80’s, and much like those hippie crocheted pants from the 1970’s, granny squares became popular again. In 2010, Cate Blanchett walked the red carpet in a granny-inspired dress for an opening at the Australian Center for the Moving Image. Designed by an Australian design team called Romance Was Born, the dress—rendered in traditional bright colors with black borders—drew out the best and worst in critics. Some dubbed the actress Cate Blanket.


Following on the heels of the dress, British designer Christopher Kane dove deep into granny-square waters for his 2011 fall runway show, which featured a variety of dresses and skirts rendered in a fabric with oversized grannies in subtle blue and gray hues. Kane seemed to be reaching for a new and exciting way to view this dappled motif, but reactions invariably included references to afghans.

Vintage Square

Base Ring: Ch5, join with slip st

Round 1: Ch3 (counts as 1dc), 2dc into ring,[ch1, 3dc into ring] 3 times, ch1, slip st into the top of ch-3

Round 2: Slip st into each of next 2dc,*[1sc, ch3, 1sc] into next sp for a corner, ch3; rep from * 3 times more, slip st to 1st sc

Round 3: Slip st into corner sp, [ch3 (count as 1dc), 2dc, ch1, 3dc] into same sp, * 3dc into next ch-3 sp, [3dc, ch1, 3dc] into next corner sp; rep from * twice more, 3dc into next ch-3 sp, slip st to top of ch-3

Round 4: Slip st into each of next 2dc, *[1sc,ch3, 1sc] into next corner sp, [ch3, skip 3 dc, 1sc between last dc and next dc] twice, ch3, skip 3 dc, rep from * 3 times more, slip st to 1st sc

Round 5: Slip st into next corner sp, [ch3(count as 1dc), 2dc, ch1, 3dc] into same sp, *[3dc into next ch-3 sp] 3 times, [3dc, ch1, 3dc] into next corner sp; rep from * twice more, [3dc into next ch-3 sp] 3 times, slip st to top of ch-3

Round 6: Rep Round 4, work 4 [ch-3] sps between corner sps

Round 7: Rep Round 5, working 3dc into each ch-3 loop along sides between [3dc, ch1, 3dc] at corners

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